OPEN AIR
12:00 - 22:00
First Run
Saturday, 15 August
FREE ENTRY
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This is our first open air. Nothing here is finished. We want to show you the space as it is, on a normal afternoon that turns into a normal evening, and see how it holds a crowd.
PRINTHOUSE begins as an interim use. The building is being developed step by step, and everything we do in the coming months runs on borrowed time and temporary permits. That is not a disclaimer — it is the interesting part. What the house becomes will be shaped by the people who are in it early.
Open air on the covered loading dock. Music from the afternoon into the night, bar, and the hall behind it.
BUDINO
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DJ DASCO
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C.H.P
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Euphrat
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BUDINO · DJ DASCO · C.H.P · Euphrat ·
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Italian by origin, Berlin by choice. A long-standing resident at Cocktail d'Amore and co-founder of the Oscillator party series at the much-missed Griessmühle, Budino is a record collector's DJ — dark, trance-inducing beats, tribal percussion, cosmic texture. Much of what she plays exists only in her own edits, which means a set of hers is rarely repeatable. She curated the fourth edition of Love International's compilation series.
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Berlin-based, DASCO works the seam where rave euphoria meets contemporary house. A house and techno obsessive whose roots reach back to the late '80s and early '90s, she moves between the classic and the current without ever making it feel like a history lesson — and has taken that energy to Panorama Bar, Robert Johnson and Bassiani. She also runs her own label, Bisexuality Exists Records.
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Berlin, and deep in the underground. The part of the city that runs on word of mouth rather than line-ups. He loves house as much as techno; he just rarely plays it. On the occasions he does, it's worth being in the room. For 15 August he's building one of those sets specifically for this afternoon.
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Our resident, and the creative mind behind PRINTHOUSE. He has been programming parties in Munich for years and built VËRYL Festival on a former airfield outside Berlin — two very different scales of the same instinct: find a room nobody expects, and make it work. At PRINTHOUSE, the programme, the sound and the feel of the space all run through him. He plays the nights he builds.
The sound of this first edition is house, and that was a deliberate decision: warm, generous, and made for a room where everyone should feel welcome. Going forward, we want to build a programme around underground artists with real standing in the scene — people whose work deserves a room like this.